An analysis of leda and the swan by yeats

He spent his childhood in County Sligo, where his parents were raised, and in London. He returned to Dublin at the age of fifteen to continue his education and study painting, but quickly discovered he preferred poetry. Though Yeats never learned Gaelic himself, his writing at the turn of the century drew extensively from sources in Irish mythology and folklore. Also a potent influence on his poetry was the Irish revolutionary Maud Gonne, whom he met ina woman equally famous for her passionate nationalist politics and her beauty.

An analysis of leda and the swan by yeats

Eroticism[ edit ] Leda and the Swan, Roman marble possibly reflecting a lost work by Timotheos ; restored Prado The subject undoubtedly owed its sixteenth-century popularity to the paradox that it was considered more acceptable to depict a woman in the act of copulation with a swan than with a man.

The earliest depictions show the pair love-making with some explicitness—more so than in any depictions of a human pair made by artists of high quality in the same period. The theme remained a dangerous one in the Renaissance, as the fates of the three best known paintings on the subject demonstrate.

The earliest depictions were all in the more private medium of the old master printand mostly from Venice. This shows Leda and the Swan making love with gusto, despite being on top of a triumphal car, being pulled along and surrounded by a considerable crowd.

Benvenuto Cellini made a medallion, now in Vienna, early in his career, and Antonio Abondio one on the obverse of a medal celebrating a Roman courtesan.

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Leda and the Swan by Correggio Leonardo da Vinci began making studies in for a painting, apparently never executed, of Leda seated on the ground with her children. In he painted a different composition of the subjectwith a nude standing Leda cuddling the Swan, with the two sets of infant twins also nudeand their huge broken egg-shells.

However it is known from many copies, of which the earliest are probably the Spiridon Leda, perhaps by a studio assistant and now in the Uffizi[12] and the one at Wilton House in England illustrated. This composition is known from many copies, including an ambitious engraving by Cornelis Bosc.

An analysis of leda and the swan by yeats

In addition, a sculptural group, similar to the Prado Roman group illustrated, was believed until at least the 19th century to be by Michelangelo.

His son Louisthough a great lover of painting, had periodic crises of conscience about his way of life, in one of which he attacked the figure of Leda with a knife. The damage has been repaired, though full restoration to the original condition was not possible.

Both the Leonardo and Michelangelo paintings also disappeared when in the collection of the French Royal Family, and are believed to have been destroyed by more moralistic widows or successors of their owners. The film retains the classical motif, portraying, for most of its duration, a young woman embracing a swan.

Zeus, as the swan, only appears metaphorically. It also alludes to the Trojan warwhich will be provoked by the abduction of Helenwho will be begotten by Zeus on Leda along with Castor and Polluxin some versions of the myth. For Yeats, the only salvation is the shapeliness and stillness of art.

Hilda Doolittle also wrote a poem called "Leda" insuggested to be from the perspective of Leda. The description of the sexual action going on makes it seem almost beautiful, as if Leda had given her consent.

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The play features the voices of three women. The first is a married woman who keeps her baby. The second is a secretary who suffers a miscarriage. The play is about the disconnection of women in society and challenges societal expectations of childbirth.Poems of W.B. Yeats: The Tower Questions and Answers.

The Question and Answer section for Poems of W.B. Yeats: The Tower is a great resource to ask questions, find answers, and discuss the novel. Leda and the Swan notes Origins Leda and the Swan was a Greek myth in which the God Zeus transformed into a swan and raped the girl Leda.

Different versions of the myth disagree on whether Leda was actually raped or seduced by Zeus. When Yeats wrote this poem in , most of his readers would have been familiar with the story of Leda and the Swan. Nowadays, it helps to have a good online encyclopedia to help out with referenc.

Yeats’ Leda and the Swan and Van Duyn's Leda Essay Words | 8 Pages. Yeats’ Leda and the Swan and Van Duyn's Leda In Greek mythology, Leda, a Spartan queen, was so beautiful that Zeus, ruler of the gods, decided he must have her.

Leda and the Swan W. B. Yeats, - A sudden blow: the great wings beating still Above the staggering girl, her thighs caressed By the dark webs, her nape caught in his bill, He holds her helpless breast upon his breast.

Leda and the Swan is a story and subject in art from Greek mythology in which the god Zeus, in the form of a swan, rapes Leda. According to later Greek mythology, Leda bore Helen and Polydeuces, children of Zeus, while at the same time bearing Castor and Clytemnestra, children of her husband Tyndareus, the King of Sparta.

SparkNotes: Yeats’s Poetry: “Leda and the Swan”